![]() Note that there was one on the east and one on the west. Parodoi: were side entrances and exits used by chorus members and actors. ![]() The closing parts of the poem recall its eventual relocation and restoration. When we think about strophes and antistrophes, meaning turning and turning back, we can imagine how the dancers may have circled the thymele in one direction and then the other. NOTE: National Artist Carlos Botong Francisco's painting used to languish at one time or another at the Manila City Hall or the bar-restaurant of the National Press Club. Haze re-creates the painter in his words. Or finally restored with tender hands andĮntranced guest, code-addict, the poet is smittenĪll over again by the Code, and in drunken Scoundrel, recalcitrant, □□□□□□□□, □□□□□□□,īut instead he is enchanted by shades andĪnd neglect, they rot at City Hall or are stained The antistrophe followed the strophe and preceded the epode. □□□□□□□ and code-the code of freedom antistrophe, in Greek lyric odes, the second part of the traditional three-part structure. Most readers today encounter strophe and antistrophe in Ancient Greek. In twelve syllables, carefully marking caesura: The □□□□□□□□ □□ □□□□□, allotting his breath The choral odeswhich are translated with particular clarityare also marked and divided into strophes and antistrophes. Temple and grips his □□□□□ as he writes This makes sense when you consider the fact that, during the strophe choruses danced from right to left and during the antistrophe they did the opposite. (Another rib from his side, another shadeįrom his palette): muscular, strong-chinned, In Greek, strophe means turn, and antistrophe means turn back. ![]() His arms are his arms, his colors are his The motion toward the left, they called antistrophe, from, 'against', and, of, 'I turn'. This argument superficially supports monogamy and comments on the relationship among Neoptolemus, Andromache, and Hermione. Antistrophe was also a kind of ancient dance, wherein dancers stepped sometimes to the right, and sometimes to the left, still doubling their turns or conversions. Each section takes a different approach to showing the necessity of having one person in control. In the tongue, slipping past □□□□□□□Īnd □□□□□□□ □□□□□, as he draws an arc In Stasimon 2 the strophic ode again consists of two strophes and antistrophes. ![]() This means that the lines rhythm, meter, and length are the same in both stanzas. Under his breath, himself quite surprised In the Pindaric structure, the strophe and antistrophe are identical. ![]()
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